Saturday, May 24, 2014

Welcome Summer!

What better way to celebrate the long holiday weekend and the return of warm weather than with a pattern sale?

From now through Tuesday May 27th, all independently published Blue Bee Studio designs are 20% off. Just click the 'use a coupon code' link in the Ravelry shopping cart, and enter welcome_summer.

Happy, happy Summer!

Saturday, January 4, 2014

Wrong side tracks, part two

In my previous post I discussed how needle angles can affect the size of knit and purl stitches and lead to rowing-out. Here's a video that shows what I'm talking about, as well the changes I've made to correct my own rowing-out issues. Hope you find it helpful!

Saturday, December 14, 2013

Wrong-side tracks

Next to garter stitch, stockinette is the simplest sort of knitting you can do. At the same time, it can be the most difficult to do really well. Just work back and forth for a while in a smooth, solid-colored yarn, and you'll get a lesson in which aspects of your technique are wanting.

Personally, I've always rowed out. Pretty badly. If you aren't familiar with the expression, 'rowing out' describes the tendency that a lot of knitters have to create different sized stitches on the knit and purl sides of the fabric when working back and forth in stockinette stitch. You can often see it most easily on the purl side of the knitting: there'll be little horizontal furrows where the stitches are looser on one row, and tighter on the next.

I've tried a lot of things to fix the problem, from using a smaller needle on the purl side – to adopting the Norwegian purling technique where the yarn stays at the back of the work all the time – to pure avoidance, disguising the problem with semi-solid yarns and lace or texture stitches. I'd been able to improve the issue somewhat, but it continued to be a problem.

Handily, knitting gives you a lot of time to think about, well, your knitting. It's right there in front of you, all the time. Lately I've been trying to carefully observe the way that I form stitches. In doing so I think I've discovered not just a solution to rowing out in my own knitting, but the reason why it happens in the first place.


Are you ready? Here it is: The angle of the working yarn – relative to the right hand needle as the new stitch is being transferred over – has to be the same, when knitting and purling, for the stitches to be of equal size.

I'm a continental knitter. When I make knit stitches, at the point where the new stitch is being taken up by the right hand needle, the working yarn is at pretty much 90 degrees to the needle, ensuring that the stitch will be snugged up as fully as my tension dictates, and gauged to the size of the needle.

When I purl in my usual way, because my needle is entering the stitch purlwise it's most natural for me to hold my needles at a wider angle, and as a consequence, the angle of the yarn relative to the right hand needle is always greater than 90 degrees. This provides slightly more resistance to the small force that I'm applying with my tension, et voila! a looser stitch is born.

For me, the answer is simple: Make sure that at the point of transfer, the angle of the working yarn is consistent. In my case, this means perpendicular to the right hand needle. That's it. All I have to do is to close the angle between my needles, and the purl stitch is able to snug up just like a knit stitch. So simple.

Here's what the wrong side of a recent swatch looks like:

Is my knitting perfect now? No, and I don't need it to be – but it's so much more even than it was. And if there's a looser row now, it's just as often a knit row.

Will this work for anyone else? I really don't know. There may be other differences in your knitting style that introduce changes in tension when knitting and purling. But I'd love to know if it does!

Thursday, October 31, 2013


Starting today, a group of indie designers is throwing a huge party on Ravelry that we’re calling Gift-A-Long.

What’s it all about? Well to begin with, it’s a sale. Participating designers are offering 25% off selected patterns through November 15th. Just enter the coupon code ’giftalong’ at checkout to receive the discount.

And there's more! Through December 31st, CAL/KALs will be running in the Indie Design Gift-A-Long group, with hundreds of prizes being given for finished objects made from Gift-A-Long patterns.

All of my self-published patterns on sale. You’ll find them in the Blue Bee Studio store.

Thursday, October 17, 2013

Grass River

Near our house there's a wide wet meadow that we call the grass river. It's a shallow swale that runs with snow-melt in early spring, then drys out as the summer comes on. A place of subtle, quiet beauty – you might think it rather plain – unless you see it in early spring when the violet-blue Camassia are blooming, or better yet, in the golden glory of early fall.

The Grass River Tunic is kind of like that. A bit plain, no lace, no cables, just clean simple lines. But once you slip it on, its charms become more apparent.

Knit in the Woolen Rabbit's delicious single-ply fingering-weight Airy, Grass River is light, soft, and so easy to wear. A flattering empire line and a bit of waist shaping make for a figure-skimming fit. The deep surplice neckline layers beautifully over a tank or tee. And decorative welts at the bust, neckband and cuffs add a little polish.

You can find the Grass River Tunic pattern in the Blue Bee Studio Ravelry store.

Sunday, June 30, 2013

Summer joy sale

Celebrate long days and lush colors with 20% off all patterns in the Blue Bee Studio Ravelry store! From July 1st through July 5th, use the code 'summer_joy' in the Ravelry shopping cart to get your discount. Happy Summer!

Tuesday, April 16, 2013


©2013; photography: Jane Heller
I know it sounds funny, but I do a lot of designing on my bicycle. I live in a mountainous place, and no matter where I ride, there are always hills and more hills. To keep myself from thinking about my legs on those endless climbs, I pass the time working out the details of new designs.

On some rides last summer it was a cardigan design that kept me diverted. The idea was to create a modern shape that would skim the figure and be easy to wear, but with a bit of elegance…something feminine, but not girly…with lace details, but a geometric motif rather than a floral one…on and on it went, to the top of the hill.

The result is Floriston, just out in Twist Collective's Spring 2013 issue. It's an airy, open-front cardigan with clean lines and a little surprise – a sweet inverted pleat at the back.

©2013; photography: Jane Heller
Some more details:
  • A wavy eyelet-and-rib pattern forms the cardigan's front bands and is repeated on the inside of the pleat.
  • A bit of waist shaping keeps the silhouette sleek.
  • The sweater fronts widen slightly at the bottom for some subtle draping without an excess of fabric.
  • The bracelet-length sleeves have a little vent detail that echoes the back pleat.
  • The sleeves and hem have a crisp I-cord edging.
I love the way that Twist styled the photos of Floriston. The model has such grace and charm, and that floral-print skirt is adorable. But I'm not a very girly girl, so when I had one made for me, I indulged in a lovely charcoal grey. So far I've only worn it with jeans and a tank, but I'd also wear it with some dressier ankle-length pants and short boots, or with a slim sheath dress. Pretty sure I'll steer clear of the bike shorts, though.